Development of synthesis model for fine tuning and playing style

Sangbock Cho, Sang-Bock Cho, Kyung-Hun Lee, Hyung-Seob Han
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Abstract

This paper describes a synthesis model that is able to represent playing style and fine tuning for the plucked string instrument. The proposed model is based on digital waveguide theory and the target instrument is the Gayageum, traditional Korean plucked string instrument. It has 12 twisted silk strings, each supported by a movable bridge called Anjok. Each of them is placed on the body; it tunes each string by being moved sideways along a string. Therefore, the movable bridge model is proposed to determine pitch of synthetic sound; this is equivalent to determine length of a delay line in string model of digital waveguide model. The fundamental frequency of each string corresponding to the location of the Anjok was measured and parameterized. This parameter is also used in the string model to compute the loop filter coefficient. Finally, the unique right-hand playing style, flicking with the middle and index fingers, is represented by a FIR filter. Although there were differences between the original and synthesized sound by proposed synthesis model, the entire harmonic magnitude envelope of the synthesized sound followed those of the original sound and it was aurally hard to distinguish them.
开发微调和演奏风格的综合模型
本文描述了一个能够表示弹拨弦乐器演奏风格和微调的综合模型。该模型基于数字波导理论,目标乐器为韩国传统拨弦乐器伽倻琴。它有12根扭曲的丝线,每根丝线都由一座名为Anjok的可移动桥支撑。每一个都放在身体上;它通过沿弦移动来调节每根弦。为此,提出了可动桥模型来确定合成音的音高;这相当于在数字波导模型的串模型中确定延迟线的长度。测量并参数化了安约克所在位置对应的每根弦的基频。该参数也用于字符串模型中计算环路滤波系数。最后,独特的右手演奏风格,用中指和食指轻弹,由FIR滤波器表示。根据所提出的合成模型,虽然原始声音和合成声音之间存在差异,但合成声音的整个谐波幅度包络都遵循原始声音的谐波幅度包络,在听觉上很难区分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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