Venice in pieces: Preservation and display of a pieced and folded woodcut

Claudia Benvestito
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Abstract

Preserving an oversized paper artefact or work of art is always problematic, if one considers how much space is required for flat storage, handling and display of these items. Problems of scale are even more challenging when the object in question is a large folding plate bound within a book which cannot be stored flat and unfolded. When folded inside the book, the plate is under constant pressure from the text-block which may lead to folds being compressed and split. Once opened, the illustration is often at risk because of the lack of a safe support for it while it is being consulted, especially when the primary support is already brittle and creased. Finally, whenever the plate is unfolded, it is very hard to refold correctly following earlier fold lines, whether or not this is desirable. This paper describes an effective solution to this difficult problem with reference to a fifteenth-century panoramic view of Venice. A method of temporary mounting and partial encapsulation for display and examination was devised Fig. i Peregrinationes iti Terram Sotictam, 1486, Bibfioteca Nazionale Marciana, Venice (Inc, 382), central portion of the panoramic woodcut of Venice.
威尼斯碎片:保存和展示一块和折叠木刻
如果考虑到平面存储、处理和展示这些物品需要多大的空间,保存一个超大的纸质人工制品或艺术品总是有问题的。当所讨论的对象是一个大的折叠板,装订在一本书中,不能平放和展开时,规模问题就更具挑战性了。当在书中折叠时,印版受到来自文本块的持续压力,这可能导致折叠被压缩和分裂。一旦打开,插图往往是在风险,因为缺乏安全的支持,而它是被咨询,特别是当主要的支持已经脆弱和皱褶。最后,无论何时展开钢板,无论这是否可取,都很难按照先前的折叠线正确地重新折叠。本文以15世纪威尼斯全景图为例,描述了解决这一难题的有效方法。为了展示和检查,我们设计了一种临时安装和部分封装的方法。图1 .威尼斯全景木刻的中心部分,威尼斯博物馆,1486年,意大利国家博物馆,382年。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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