Improving the Dance Performance Space in the Pandemic Era through Benjang Mask in Bandung Society

S. Salayanti, Sri Rochana Widyastutieningrum, S. Sunarmi
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Abstract

The Benjang performance design after the pandemic has the essence of design value as a medium to get closer to God with the Benjang philosophy, "Bersih hate Handap asor." The concept of "space" and "place" in Benjang's performance during a pandemic is an essential element that cannot be separated from supporting human space. The place element is a constituent component in every performance. Currently, we are in a phase to develop a cultured life, which is Space and more as a place to prove they exist and realize the essence of everyday life after the pandemic. The use of Space in Benjang performance is by the presence of movements with various rhythms and characters who have their respective roles carried Space, which are isn from the personal feelings of each player.
通过万隆社Benjang面具改善大流行时代的舞蹈表演空间
大流行后的本江表演设计,以“净选之恨”的本江哲学,作为接近上帝的媒介,具有设计价值的本质。Benjang在大流行病期间的表演中的“空间”和“场所”概念是与支持人类空间密不可分的基本要素。位置元素是每一个性能的组成部分。目前,我们正处于开发有文化生活的阶段,这是空间,更多的是作为证明它们存在的地方,并在大流行后实现日常生活的本质。在本江演奏中,空间的运用是通过各种节奏的动作和角色的存在,每个角色都有各自的角色承载空间,这不是来自每个演奏者的个人感受。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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