An Analysis of Pastiche of Old Styles in Star Wars (1977)

Yijie Wang
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Abstract

Star Wars (1977) is a fantastic post-modernist film that offers audiences an unparalleled space adventure while conveying director George Lucas's vision of society. Remarkably, as a science fiction film, Star Wars constitutes a variety of artistic styles from a bygone era, which this study argues were Lucas's primary means of expression. This paper examines the old fashions of Star Wars from the perspective of artistic style through Fredric Jameson's theory of "pastiche". The conclusion is that he builds a new mythology through the pastiche of old art forms in a context where Americans have lost faith in the old mythology, and he also argues against the use of dehumanising technologies such as nuclear weapons. This research will contribute to a better understanding of the Star Wars series and the postmodernist culture of the United States.
《星球大战》(1977)中的复古风格模仿分析
《星球大战》(1977)是一部奇妙的后现代主义电影,在传达导演乔治·卢卡斯对社会的看法的同时,为观众提供了无与伦比的太空冒险。值得注意的是,作为一部科幻电影,《星球大战》包含了过去时代的多种艺术风格,本研究认为这是卢卡斯的主要表达方式。本文通过詹姆逊的“模仿”理论,从艺术风格的角度审视了《星球大战》的旧风尚。结论是,在美国人对旧神话失去信心的背景下,他通过对旧艺术形式的模仿建立了一个新的神话,他还反对使用核武器等非人性化的技术。这项研究将有助于更好地理解《星球大战》系列和美国后现代主义文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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